
A Film Pitch
Some people are born to be seen.
Others just want to be found.
A heartbroken young musician with OCD pursues an improbable modeling career across Europe in the early '90s, only to discover that finding himself requires confronting the generational trauma that shaped him.
Nico is 21, fronting a failing grunge band in small-town Pennsylvania. After discovering his girlfriend in bed with another man, his severe OCD spirals. Working as a middle school janitor, he meets a photographer who plants a seed: take your chances in Milan.
Milan strips him bare. Homeless, starving, sleeping on park benches—until he meets Arianna, who offers shelter and introduces him to his Italian heritage. When his estranged father asks him to find their Croatian roots, Nico travels to war-torn Yugoslavia, arriving during his great-aunt's funeral. Days later, a bomb destroys the village.
Returning transformed, Nico races back to the U.S. to be at his dying grandmother's bedside. After her funeral, he discovers the modeling world was never about him at all. He scrapes together money for Paris, crashes a Thierry Mugler fashion show screaming for an unattainable love, and finds his voice—not as a model or musician, but as a poet surviving on Paris streets.
What makes this project unique is that I was there. I lived it. This isn't research or imagination; it's memory transformed into art.
The photos from that time exist. The villages exist. This is intellectual property in the truest sense: a firsthand account of a specific moment in history that no one else can tell.
Circular structure, struggling artist protagonist, economic desperation, episodic narrative, music as survival, melancholic tone. Our primary comp.
European setting, intimate character study, coming-of-age, sensual cinematography, themes of desire and identity.

This photo was taken in Milan, 1991.
The writer was there. The modeling world, the Croatian village, the Paris streets—all real. The period detail, emotional truth, and cultural specificity cannot be replicated.
"Based on true events" increases marketing value and festival appeal. Audiences want authentic immigrant stories told by those who lived them.
Second-generation Italian-American and Croatian-American. Lived in Milan and traveled through war-torn Yugoslavia in 1990-1991. Has made micro-budget films and is seeking experienced production partners for this international co-production.
Noticed You Today is a personal story with universal themes—a love letter to the immigrant experience and the search for home. I'm seeking partners who believe in authentic, character-driven cinema.