
A Film Pitch
Some people are born to be seen.
Others just want to be found.
A heartbroken young musician with OCD pursues an improbable modeling career across Europe in the early '90s, only to discover that finding himself requires confronting the generational trauma that shaped him.
Nico is 21, raised in a broken home in small-town Pennsylvania, fronting a failing grunge band and working as a middle school janitor. After discovering his girlfriend in bed with another man, his severe OCD spirals. He meets a photographer who plants a seed: take your chances in Milan.
Milan strips him bare. Homeless and starving, he sleeps on park benches until he meets Arianna, who offers shelter and introduces him to his mother’s Italian heritage. Then the father he grew up missing finally reaches out across the ocean, asking him to find the family’s Croatian roots. Nico rushes toward it, traveling to Yugoslavia and arriving during his great-aunt’s funeral, with no idea a war is about to break out. There he holds a record his grandfather made that almost no one outside the village ever heard. The next day, a bomb destroys the village.
Shaken, Nico races back to the U.S. to be at his dying grandmother’s bedside. After her funeral, the girlfriend he left behind tells him she’s pregnant and asks if he has a job. He has no answer. He discovers the modeling world was never about him at all, scrapes together money for Paris, crashes a Thierry Mugler fashion show screaming for an unattainable love, and ends up where the men in his family always did: making music almost no one hears, and playing anyway.
What makes this project unique is that I was there. I lived it. This is memory transformed into art, with some events compressed for the screen.
The photos from that time exist. The villages exist. This is intellectual property in the truest sense: a firsthand account of a specific moment in history that no one else can tell.
Circular structure, struggling artist protagonist, economic desperation, episodic narrative, music as survival, melancholic tone. Our primary comp.

Quiet observational tone, unrecognized artist protagonist, episodic daily structure, poetry and music made without audience, the act of creation as its own reward.


This photo was taken in Milan, 1991.
The writer was there. The modeling world, the Croatian village, the Paris streets—all real. The period detail, emotional truth, and cultural specificity cannot be replicated.
"Based on true events" increases marketing value and festival appeal. Audiences want authentic immigrant stories told by those who lived them.
Second-generation Italian-American and Croatian-American. Lived in Milan and traveled through Yugoslavia in 1991. Has made micro-budget films and is seeking experienced production partners for this international co-production.
Noticed You Today is a personal story with universal themes—a love letter to the immigrant experience and the search for home. I'm seeking partners who believe in authentic, character-driven cinema.